Oh yea! How could I forget about that one. :oops:
Seems like there was a series of huge shake ups… going over them through memory…
#1: Cyc began putting more $$$ into their non-Black branches, allowing those to make new titles. Since the sister branches weren’t as profitable, the losses were likely absorbed by leeching off the Black division. White Cyc was a major offender of this.
#2: The artists and writers Lancer mentioned began leaving or stopped being full time partners (not to mention some programers). Enough left to create a much smaller studio that tried their hand at Corpse Maid. From the outside it looked like a schism… probably was. After a few months of silence, a few authors and artists “rented” their services back to BCyc. I say rented, because it doesn’t honestly look like they returned “fully” like they did before. The only exceptions appear to be MK2 and the MDB remake. They probably returned, soley because it was MK2 and MDB (their babies so to speak).
#3: The whole “international anti-eroge movement” made some waves. Cyc’s content rater creates new rules for their clients. I’m sure BCyc at least paused for thought, since their kinds of titles were exactly the kinds of games being targeted.
#4: BEye started taking more direct control of Cyc’s day to day affairs. For awhile there was an ass ton of BEye branding all over the Cyc sites.
#5: Cyc got some totally new owners.
I personally think that BCyc not getting all the funds, despite making the most profit, was a major factor in getting staff members to leave. Then all those useless non-BCyc ventures, not to mention poor selling BCyc titles, had the parent company all upset their bread and butter was becoming a sink hole… so they [color=red]ASSUMING DIRECT CONTROL[/color] on them, made things worst, and just sold off Cyc to someone else when they had enough.